By Mihály Csíkszentmihályi
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Creativity is ready taking pictures these moments that make existence worthy residing. The author's target is to provide an figuring out of what ends up in those moments, be it the buzz of the artist on the easel or the scientist within the lab, in order that wisdom can be utilized to counterpoint people's lives. Drawing on a hundred interviews with unheard of humans, from biologists and physicists to politicians and company leaders, poets and artists, in addition to his 30 years of analysis at the topic, Csikszentmihalyi makes use of his recognized thought to discover the artistic method. He discusses such principles as why inventive everyone is frequently noticeable as egocentric and smug, and why the tortured genius is basically a delusion. most crucial, he truly explains why creativity should be cultivated and is critical for the way forward for our nation, if no longer the area.
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Extra info for Creativity: Flow and the Psychology of Discovery and Invention
So that’s the story. And it’s fun, great fun, to come upon something new. This spring I had to give a talk at Harvard and of course I stuck this in, and in fact it was confirmed two days later by astronomers who had spectra of this galaxy but had not [analyzed them]. This account telescopes years of hard work, doubt, and confusion. When all goes well, the drudgery is redeemed by success. What is remembered are the high points: the burning curiosity, the wonder at a mystery about to reveal itself, the delight at stumbling on a solution that makes an unsuspected order visible.
Poet and novelist Czeslaw Milosz wrote back: “I am skeptical as to the investigation of creativity and I do not feel inclined to submit myself to interviews on that subject. ’” The novelist Norman Mailer replied: “I’m sorry but I never agree to be interviewed on the process of work. ” Peter Drucker, the management expert and professor of Oriental art, excused himself in these terms: I am greatly honored and flattered by your kind letter of February 14th—for I have admired you and your work for many years, and I have learned much from it.
I have known people to embrace the tragic view of life, and it is a cop-out. They simply feel rotten about everything, and that is terribly easy. And if you try to see things a little more evenly, it’s surprising what complexities of comedy and ambiguity and irony appear in it. And that, I think, is what is vital to a novelist. Just writing tragic novels is rather easy. Davies’s critique applies more broadly, and not just to the literary field. It is equally easy to explain creativity in a way that only exposes, debunks, reduces, deconstructs, and rationalizes what creative persons do, while ignoring the genuine joy and fulfillment their life contains.