Download Body Invaders: Sexuality and the Postmodern Condition by Arthur Kroker, Marilouise Kroker PDF

By Arthur Kroker, Marilouise Kroker

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Extra resources for Body Invaders: Sexuality and the Postmodern Condition

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This passage also has the appearance of being characteristically post-modern, in that the body has been turned inside out and exploded out to the surface where experience has become an outer garment, an extension that inscribes the body with meaning(s). Here, the body is an open space, an open text, with "no beginning nor ending"; a body inscribed by the vestimentary symbols of a dead and meaningless corpus of religious doctrine: dressed in sin, stripped of her soul, Addie is re-dressed with guilt, shame and sin.

That these forms BODY MAPS 51 of economic exploitation have recently reterritorialized into the sphere of cultural imperialism, signifies an important and complex moment in the socio-economic relations of the West and the Third World. Consider briefly Christian Dior's latest make-up line, entitled Les Coloniales. The advertisement contains the framed face of a woman that has been un-naturally whited except for the exotic colours encircling the eyes like the plumage on a wild parrot. It is also interesting to note the use of anthuriums with their drooping phalluses that surround her face.

Fashion - the production of seasonal products for mass consumption - is bracketed by style-consumers as mundane, ordinary and devoid of a creative drive desperately needed by the individual-subject searching for personal style. The fashion apparatus and its strategies for producing consumption depend on this "negative" reaction to the products it makes available; the fashion apparatus operates on the basis of its own denial, producing its own lack so as to (re)produce desire(s) for the image(s) that will fill the w /hole of the self and its experience of being.

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