By Sharon Macdonald
What is going on in the back of closed doorways at museums? How are judgements approximately exhibitions made and who, or what, quite makes them? Why are convinced items and varieties of demonstrate selected while others are rejected, and what components impression how museum exhibitions are produced and skilled? This e-book solutions those looking out questions through giving a privileged glance ‘behind the scenes’ on the technology Museum in London. by way of monitoring the historical past of a selected exhibition, Macdonald takes the reader into the area of the museum curator and exhibits in brilliant element how exhibitions are created and the way public tradition is produced. She finds why exhibitions don't constantly mirror their makers’ unique intentions and why viewers take domestic specific interpretations. past this ‘local’ context, besides the fact that, the ebook additionally offers large and far-reaching insights into how nationwide and international political shifts effect the construction of public wisdom via exhibitions
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Extra info for Behind the Scenes at the Science Museum
Chapter nine moves beyond the ethnographic account to a broader discussion of the cultural changes described, and of the politics of the production and consumption of science for the public. The chapter, and the book, ends with a consideration of some of the implications of this for more recent – and possible future – developments in museums and public culture. Admission: Going In 19 Notes 1. In 1997 the new Labour Secretary of State at the new Department of Culture, Media and Sport announced, as one of his first ambitions, that he would abolish admission charges at national museums.
We know from research that most people can only take in two or three ideas so rather than have a mass of objects we will concentrate on a few major themes. . 39 The V&A also launched a controversial advertising campaign (designed by Saatchi and Saatchi – the advertising company employed by the Conservative Party during their successful 1983 General Election campaign) which for many people came to symbolise the changes under way at the time. 2]. For those V&A staff who publicly called for Mrs Esteve-Coll’s resignation, this advertisement was a blatant admission of the debasement of scholarship and the proper functions of the museum, and their subsumption to mere commercial and leisure interests.
He has strong views on public access and wants to retain free admission to the BM’, ‘Sir David Wilson. . has managed to keep the British Museum an oasis of scholarly calm while the rest of us are rushing around embracing versions of Thatcherism’. Lined up here, then, were lines of opposition which were the subject of constant debate among museum staff at the time: traditional curatorial, scholarly and research functions of museums, coupled with free public admission on the one side, and popularisation, reorganisation, enterprise and charges on the other.